Let’s see if this work…
If you don’t know Jango already, you should give it a try. A few years back I used to listen to Pandora.com and very sadly it became exclusive to american citizens. Jango is available in Canada and it works almost the same. They are both intelligent radios that analyze your taste in music and play stuff you might like. How it works is that you put in the name of an artist or song you like and it will play similar music. You can fast forward, pause and rewind songs. You can create a bunch of different personnal radio stations by adding all the artists that you would like to each one of them, or just play the existing stations by genre. You can also rate songs and by doing this you help customizing your stations, and see what other people are listening to.
This link will take you to my personal profile, with the radio stations I created. If you wish to create your own profile, just log out and sign up, it’s free. I like.
Ok, I am not a specialist on the history of music, especially in the electronic field. So, I will not attempt to analyse what is why or what brought us where we are today. Some elements are pretty obvious, but a lot of others are to be discussed. What I am able to do, and I will do for you today; is to collect all the different kinds of electronic music and brievely describe them. Why am I going to do this? Because it ould be useful to someone some day, and it is more like letting you see it by yourself.
Techno : Eletronic dance music the mother of pretty much all the other electronic music styles. Techno was developed in and around Detroit, in the 1980s. It emphasizes rhythm; It is a mainly instrumental genre, usually reliant on dj mixes. It utilizes a myriad of synthesizers, drum mahines, multi-tracking, and hardware sequencers. Its main tenets include the use of electronic instruments and the uniformity of a common drum beat.
House : Originated in chicago while DJs were experimenting with new editing techniques such as remixing, sampling and new electronic instruments like synthesizers and sequencers. Electronic groovy sound, low bass and the use of recognizable instrumentation like piano chords and soulful vocals. Daft Punk, Basement Jaxx, Benni Benassi, Groove Armada, Fatboy Slim.
Acid House : Sub-genre of house music that emphasizes on a repetitive, hypnotic and trance-like style, often with samples or spoken lines rather than sung lyrics. The word to “acid” may be there in reference to the psychedelic drug LSD; making allusion to the trippiest sound of this genre of house. Some artists you may know ; Phuture, D Mob and Adonis.
Hard House : Heavier kind of house music that saw the day in the UK in the early 90’s. Up-tempo, compressed kick drums, off-beat basslines and the use of ‘hoover‘ type sounds. Faster and harder. Some key artists; Deadmou5, Teenage Badgirl and Lisa Pin-Up.
Drum’n bass : Type of electronic dance music which emerged in the UK, mid 1990s, in the breakbeat hardcore and rave scene. It came into existence when people mixed reggae basslines with sped-up hip hop breakbeats and influences from techno. It is characterised by fast tempo broken beats with heavy sub basslines. Some popular DnB artists; Pendulum, Amon Tobin, Noisia and Aphrodite.
Darkstep : (Also referred to as tech and techstep) is a subgenre of Drum’N Bass that emerged in the late 1990s. It is characterized by a dark, sci-fi mood, near-exclusive use of synthesised or sampled sound sources and influences from industrial and tehno music. High-energy collage from abstract, synthetic noises, including samples, bleeps and squelches: it rarely uses instruments that have not been processed by effects. Some artists in this genre; Dieselboy, Hemoglobyn, Black Sun Empire.
Dub : Form of music which evolved out of reggae in the late 1960s. It consists in a predominantly instrumental remixe of existing recordings. It is achieved by manipulating and reshaping the recordings; by removing the vocals from an existing track, emphasizing the drum and bass frequencies, adding extensive echo and reverb effects, and dubbing occasional snippets of lyrics from the original version. A few examples; High Tone, King Tubby, Roots Manuva, Mad Professor, Scientist.
Dubstep : It first came about around 1999 in the UK garage sene. It can be described to people who have never heard it as a blend of electronic music, some dark garage hints & clipped samples, with heavy metal and classical musical influences. Typically it consists of an abundance of overwhelming bass lines along with excess amounts of drum. Occasionally there are vocals mixed in with this. It belongs to the darkside of the moon. My favorite artists in this genre ; Rusko, Skream, Nero, Darkstar & Bassnectar.
Glitch Hop : It is a sub-genre of eletronica characterized by a deliberate use of glitch based sonic artifacts that would normally be viewed as unwanted disturbances. It first emerged in Germany, in the mid to late 1990s. Some glitch artists you might have heard; Glitchy and Scratchy, Ill-esha, Dewey dB, Ill Gates, Glitch Mob
Eletronica : Electronica includes a wide range of contemporary electronic music designed for a wide range of uses, including foreground listening, some forms of dancing, and background music for other activities. It includes dozens of stylistic fusions, but unlike electronic dance music, it is not specifically made for dancing. Röyksopp, The Chemial Brothers, Air, Moby, LCD Soundsystem are only a few examples.
Trip Hop : Type of dance music, played on electronic instruments with a slow beat. When guitars are used, they are used in a moderate proportion, while drums and vocals are the main focus. Unlike most sub-genres of electronic music, trip-hop has a mostly organic sound and rarely puts emphasis on the electronic aspect. It is some kind of blend of slow house, hip hop, rock and alternative music. Some of the pioneers of this genre are Portishead, Triky, Massive Attak and Morheeba
Jungle : It grew from hardcore breakbeats and acid house in the UK around 1992 with heavy influences from reggae and hip-hop. It’s dominant feature is a extremely fast tempo, heavy bass and complex, chopped up and recycled breakbeats. The term was first used atenatively with drum’n bass, but now it can be differentiated to modern drum D’nB through the overall song structure: drum and bass has an integrated percussion and bass structure while jungle has a distinct bass line separated from the percussion. Some examples of jungle musicians; JD Fresh, Venetian Snares, Ganja Kru and Psyhofreud.
Breaks : Popular name for Nu Skool Breaks, a term used to describe a genre of electronic music that emerged in the UK in the mid-1990s. Characterized by the use of break beat samples combined with elements from various other genres; including techno, electro, drum and bass, house, funk and hip-hop, at a relatively high speed (approximately 125-140bpm). Here are some of the most well-known names in this genre: Freestylers, Smalltown DJs, Stanton Warriors, Krafty Kuts, Deekline, The Crystal Method, Freq Nasty, Boyz Noise and Cut Chemist.
Break Beat : Term used to describe a collection of sub-genres of electronic music, usually characterized by the use of a non-straightened 4/4 drum pattern (as opposed to the steady beat of house or trance). These rhythms may be characterised by their intensive use of syncopation and polyrhythms. It all started the late 1970s and early 1980s when hip-hop DJs began using several breaks (the part of a funk or jazz song in which the music “breaks” to let the rhythm section play unaccompanied) in a row to use as the rhythmic basis for hip-hop songs. In the early 1990s, acid house artists and producers started using breakbeat samples in their music to create breakbeat hardcore, also known as rave music. In recent times, the term breakbeat has become synonymous with the many genres of breaks music which have become popular within the global dance music scene, including big beat, nu skool breaks and progressive breaks.
Big Beat : Sometimes called chemical breaks, this term was first employed in the early 80s in the UK, but gained more popularity in the mid 90s. It features distorted & compressed breakbeats at moderate tempos (90 to 140ish beats per minute), acidic synthesizer lines and heavy loops from jazz, rock or 60’s pop. They are often punctuated with punkish vocals and driven by intense, distorted basslines with conventional pop and techno song structures. Some well known examples; Propelleheads, Junkie XL, Prodigy and the Bloody Beetroots.
Trance : It was first developed in the 1980s. It is generally characterized by a tempo of between 130 and 160 BPM, featuring repeating melodic synthesizer phrases, and a musical form that builds up and down throughout a track. It often features crescendos and breakdowns. Sometimes vocals are also utilized. It sits on the trippy, hipnotic side of electroni music. Its music is almost always played in nightclubs and it is probably linked to the fact that a drum beat has the possibility to induce altered states of consciousness, aka a trance. Some trance artists; Armin Van Buuren, Infected Mushroom, Astral Projection, Push and Gaia.
Electroclash : Pop, new wave, electronic, underground sexy, synthetic sound. It incorporates electro, punk, pop, rap and rock elements. It was first introduced around 2000 as a reaction against the electronic music produced at the moment. Some of the most well known artists in this genre are The Peaches, Felix Da Housecat and Fisherspooner.
Electropop : Electronic music made with synthetizers. Simple and robotic sound, catchy lyrics and danceable beats. It probably emerged in the late 70’s or early 80’s and is most definitvely the grand-mother of a lot of today’s dance and pop music genres. Ladytron, Yeah Yeah Yeah, Hot Chip.
Electropunk : Also known as synthpunk; it is a genre of electronic music with a punk attitude. The guitars are replaced by synthetizers and the lyrics are often fast and obscene. Its political view is against the establishment. I like Warren Suicide, Le Tigre, Metric and Cansei de Ser Sexy.
Electro : Beats made out of samples, originally with funk ones. Very electronic sound (…) sometimes ressembling the funk breaks in hip hop music; but with a less human feel. Simple and catchy bassline. The lyrics if any will be hypnotic, weird and the voices monotone, robotic and often altered. Example : Digitalism, Justice, Simian Mobile Disco, Calvin Harris.
If you haven’t seen this yet, you must.
It’s about all..
It’s about me, about you, about them.
It’s about how subcutlures from the past have influenced today’s. culture. The uprising of the underground; the music, the people, the art, the ideology. It’s about the change, the evolution and the messages that are passed from generation to generation. It’s about dancing, listening and feeling. It’s about being in the moment because it only is once.
This blog is a collection of a little bit everything I find on rave parties. Some history, some facts and some pictures. I hope to eventually make it entertaining and interactive; I guess it is about evolution… Hope you enjoy.
I am 30. 11 262 days to be more precise.
When I was a little girl, it was the eighties; I was 2 in 82, 7 in 87; and 10 in 1990. I was a teenager of the nineties… Grunge, metal, rap and electronic music. The death of Kurt Cobain. The last Québec referendum. The birth of Internet. Rage Against the Machine. The explosion and globalisation of the underground rave movement.
Rave parties already existed in the eighties; the acid house parties from those years were probably the biggest fundations of the parties we now know. This is when the electronic music started sounding electronic. Almost too electronic. The birth of the microwave. The destruction of the Berlin wall. Madonna & Michael Jakckson. But not the true beginning of things…
Where it all started in fact is in the late fifties; the word RAVE was used to describe raging beatnick parties. The fifties were the birth of Rock ‘N Roll, but also the start of the beat generation, an underground movement of writers,more influenced by the bop jazz music of that time. The beats were about spontaneity, freedom of expression and antimaterialism; they wrote about sex, about drugs, about criminality; about whatever they felt like, especially if it was controversial. They would get together, do drugs, drink, read poetry, play jazz music and dance.
Later, in the sixties the term rave was used to describe party animals; people who destroy it when they party. The true ravers. The word was not used at all during the seventies, and resurfaced in the eighties to qualify the party and partyers we now know.
Culture gets passed down a little bit like inforHmation does from your great grand-parents to you. History is the explanation of everything… They had jazz and opium, now we have glitchop and mdma.
But some things are here to stay….
Peace, Love, Unity, Respect
( and Sex, Drugs and Rock’N Roll)